Hello everybody, hope you're having a great week.
For those of you who don't watch John =kkart and read his journal, he raised a really interesting point last week. The issue of colour management in web browsers.
Have you ever noticed how images seem to have different colours on the web to the way they appear in Photoshop, Lightroom, or other applications?
This is connected with an images embedded colour profile, and different application's ability to honour that profile.
Basically, a colour managed browsers will respect the embedded colour profiles in an image and display it accordingly. If you're not using a colour managed browser, then an image with an embedded profile (like sRGB or Adobe RGB) will not be displayed properly.
So for example, if youre working in a particular colour space in Photoshop, your image may have different colours on the internet in certain browsers.
At the moment, the only colour managed browsers are Apple Safari, and Firefox version 3. MS Explorer isnt colour managed.
You can read a little more about it here in these articles
[link]
[link]
[link]
How does this affect you? Welll if you are not using a colour managed browser, then you are not seeing a lot of the images here on DA in the way they should be seen even if your monitor is calibrated.
For example, I work exclusively in sRGB from camera to web output, and a browser without colour management wont recognize these embedded profiles. So my photography looks different in IE or Firefox v.2(which doesnt show them how they should be) and Safari or Firefox v.3 (which display the colours correctly).
This is true of any image that has an embedded profile.
So if youre not using a colour managed browser, then the chances are youre not seeing other peoples images, (and maybe even your own) in the way they are supposed to be seen on the web, so it might be worth considering changing browser.
Its also worth noting that colour management in Safari is automatic, but in Firefox it has to be enabled. Unfortunately enabling it isnt a matter of ticking a box in Preferences, you have to dig a little deeper than that although its still very easy and quick to do.
Theres an article by Rob Galbraith which outlines how to do it
[link]
_________________________________
Silver Efex Pro
This week Ive been playing around with Silver Efex Pro, from Nik Software
[link]
Its a plug in for both Aperture and Photoshop for black and white conversions.
Its gives fantastic control of contrast and tones, and is really easy to use. In the past, Ive tried so many different ways of converting images to black and white, from the channel mixer, to using the lightness channel in PS, but for me this is the best thing Ive ever seen. It gives global, and also very localized control over the image, and when you get used to using the U.Point control points, its incredibly effective.
Its the same kind of thing as Viveza, which is another excellent plug-in.
_________________________________
D3 & D700
Last night I finally got my hands on both a Nikon D3 and a D700 at the same time at a local dealers. I still wasnt sure which to go for when I upgrade next month, and wanted to see how each felt in my hand with a range of lenses. I tried them both with the Nikkor 80-400VR and the 50mm f1.4 respectively the heaviest and lightest lenses Im likely to use on the camera.
The D700 feels great with the prime, but with the big zoom it did feel unbalanced in the hand compared with the D3. To be honest, I was amazed at how such a big camera could feel so effortless it fits the hand perfectly, and the balance, even with a really big zoom feels very natural. I actually didnt really notice the weight (although I expect that will be different when its in a pack and Im hiking with it) and it felt no more cumbersome than my D80 .which is incredible considering its twice as big and almost 3 times as heavy.
Both are great cameras, but it was the D3 I had the most trouble giving back to the dealer (who almost had to prize it out of my hands).
Some things I noticed about the cameras:
-The viewfinder is fantastic, so big and bright compared to a crop sensor camera.
-ISO 6400 REALLY DOES look amazing about the same as ISO 600 on my D80 (a 3 and a half stop advantage) and its very good at ISO 12800.
-AF works at the speed of thought with the 50mm prime
-11 fps sounds like Armageddon on the D3 an incredible noise.
-Fantastic LCD
-If youve used a Nikon dSLR like the D70, D80 or D200, then 90% of the controls are the same, the rest are very intuitive I felt completely comfortable with it after a few minutes.
Now I just have to wait another month or so to get one
_________________________________
Marc Adamus Website
Any Marc Adamus fans (and if you like landscape photography, then youll love Marc Adamus work) should check out his new website, launched yesterday. Great stuff, really inspiring.
[link]
_________________________________
Other Stuff
Thanks to everyone for the comments and faves on the shots I uploaded to scraps in my last journal.
Its actually been quite a salutary lesson to me ..Although I take all kinds of photographs, I tend to only submit landscapes here on DA, so it was interesting to see the reaction to other kinds of images, like the cow photo, or images that I would previously not thought suitable for my DA gallery. In future I think Ill try to submit some different kinds of work every now and then..starting with my next submission
Finally, some clouds in Lisbon I think I might try and get out shooting later this evening
_________________________________
Weekly Features

























For those of you who don't watch John =kkart and read his journal, he raised a really interesting point last week. The issue of colour management in web browsers.
Have you ever noticed how images seem to have different colours on the web to the way they appear in Photoshop, Lightroom, or other applications?
This is connected with an images embedded colour profile, and different application's ability to honour that profile.
Basically, a colour managed browsers will respect the embedded colour profiles in an image and display it accordingly. If you're not using a colour managed browser, then an image with an embedded profile (like sRGB or Adobe RGB) will not be displayed properly.
So for example, if youre working in a particular colour space in Photoshop, your image may have different colours on the internet in certain browsers.
At the moment, the only colour managed browsers are Apple Safari, and Firefox version 3. MS Explorer isnt colour managed.
You can read a little more about it here in these articles
[link]
[link]
[link]
How does this affect you? Welll if you are not using a colour managed browser, then you are not seeing a lot of the images here on DA in the way they should be seen even if your monitor is calibrated.
For example, I work exclusively in sRGB from camera to web output, and a browser without colour management wont recognize these embedded profiles. So my photography looks different in IE or Firefox v.2(which doesnt show them how they should be) and Safari or Firefox v.3 (which display the colours correctly).
This is true of any image that has an embedded profile.
So if youre not using a colour managed browser, then the chances are youre not seeing other peoples images, (and maybe even your own) in the way they are supposed to be seen on the web, so it might be worth considering changing browser.
Its also worth noting that colour management in Safari is automatic, but in Firefox it has to be enabled. Unfortunately enabling it isnt a matter of ticking a box in Preferences, you have to dig a little deeper than that although its still very easy and quick to do.
Theres an article by Rob Galbraith which outlines how to do it
[link]
_________________________________
Silver Efex Pro
This week Ive been playing around with Silver Efex Pro, from Nik Software
[link]
Its a plug in for both Aperture and Photoshop for black and white conversions.
Its gives fantastic control of contrast and tones, and is really easy to use. In the past, Ive tried so many different ways of converting images to black and white, from the channel mixer, to using the lightness channel in PS, but for me this is the best thing Ive ever seen. It gives global, and also very localized control over the image, and when you get used to using the U.Point control points, its incredibly effective.
Its the same kind of thing as Viveza, which is another excellent plug-in.
_________________________________
D3 & D700
Last night I finally got my hands on both a Nikon D3 and a D700 at the same time at a local dealers. I still wasnt sure which to go for when I upgrade next month, and wanted to see how each felt in my hand with a range of lenses. I tried them both with the Nikkor 80-400VR and the 50mm f1.4 respectively the heaviest and lightest lenses Im likely to use on the camera.
The D700 feels great with the prime, but with the big zoom it did feel unbalanced in the hand compared with the D3. To be honest, I was amazed at how such a big camera could feel so effortless it fits the hand perfectly, and the balance, even with a really big zoom feels very natural. I actually didnt really notice the weight (although I expect that will be different when its in a pack and Im hiking with it) and it felt no more cumbersome than my D80 .which is incredible considering its twice as big and almost 3 times as heavy.
Both are great cameras, but it was the D3 I had the most trouble giving back to the dealer (who almost had to prize it out of my hands).
Some things I noticed about the cameras:
-The viewfinder is fantastic, so big and bright compared to a crop sensor camera.
-ISO 6400 REALLY DOES look amazing about the same as ISO 600 on my D80 (a 3 and a half stop advantage) and its very good at ISO 12800.
-AF works at the speed of thought with the 50mm prime
-11 fps sounds like Armageddon on the D3 an incredible noise.
-Fantastic LCD
-If youve used a Nikon dSLR like the D70, D80 or D200, then 90% of the controls are the same, the rest are very intuitive I felt completely comfortable with it after a few minutes.
Now I just have to wait another month or so to get one
_________________________________
Marc Adamus Website
Any Marc Adamus fans (and if you like landscape photography, then youll love Marc Adamus work) should check out his new website, launched yesterday. Great stuff, really inspiring.
[link]
_________________________________
Other Stuff
Thanks to everyone for the comments and faves on the shots I uploaded to scraps in my last journal.
Its actually been quite a salutary lesson to me ..Although I take all kinds of photographs, I tend to only submit landscapes here on DA, so it was interesting to see the reaction to other kinds of images, like the cow photo, or images that I would previously not thought suitable for my DA gallery. In future I think Ill try to submit some different kinds of work every now and then..starting with my next submission
Finally, some clouds in Lisbon I think I might try and get out shooting later this evening
_________________________________
Weekly Features















































































Devious Comments
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SAVE THE HOUSEBOAT! [link]
and let's get dave [link] and Dennis [link]
over 50000 pageview!
"Here be dragons!"
I noticed the colour profile difference a while back but never got round to googling the problem - it really does wash out your images if the profile in browser and image doesn't match.
The D3 sounds sweet, man. I had a go with a friend's D300 the other day and I was bowled over by it, we were trying to take shots in this kind of light - with my D80 the noise was a real problem so I ended up shooting at 1/30th or slower. So imagining what a D700 or D3 could've done in the same light makes me more than a little jealous
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*Ouylle: "The good thing about photography is there is an infinity of situations worth an image. The tragedy is that each one is unique..."
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More work at andymumford.com
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"Where the spirit does not work with the hand, there is no art." -- Leonardo da Vinci.
I took my D80, two lenses and a manfrotto tripod into the Amazon at Christmas...the combined weight was 4.2kg
If I change tripod and go with a Gitzo mountaineer and ball head (over a kilogram lighter than my current setup), the combined weight of a D3, the two lenses I want and the tripod will be 4.3kg
So 100g different to what I carry now...I'm just not going to notice that.
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More work at andymumford.com
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More work at andymumford.com
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More work at andymumford.com
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