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©2008-2009 =AndyMumford
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Submitted: May 20, 2008
File Size: 221 KB
Image Size: 221 KB
Resolution: 800×535
Comments: 239
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Artist's Comments

The photo

I’m not sure about submitting this image, but I wanted to submit something that wasn’t a waterscape. Most of what I’ve been shooting recently has been out on the coast, but I have done a couple of landscapes, and I thought it would be nice to put something in my gallery to break up the waterscapes.

This photo was taken back in early February when I was staying in the countryside of Alentejo in southern Portugal.
We were staying in a farmhouse in a place called Serra do Cercal, and as the sun set I could see it was going to be beautiful, so I just walked out of the room a couple of meters into the field and started shooting….
…I wish it could always be this convenient.

The shiny thing on the front of the tree trunk is actually a number "3" painted on the bark. They do it to trees all over this area...not sure why.

Technique

For this shot I wanted to keep the compositions as clean and simple as possible.
I was also conscious of composing for shadows. Because of the bright sky and the filters I would need for it, the tree was going to become a silhouette. This doesn’t really matter as it emphasizes the shape, but what’s important is that it doesn’t merge with any shadows behind it and become lost.
For this reason I had to shoot in this direction as just to the right there was a forest, which would have “swallowed” up the tree in shadow, and besides, I wanted to get as much sky in the shot as possible.
Also I wanted to make sure that none of the tree’s branches were lost in the shadow of the trees at the bottom of the hill. So I composed from this direction, and got low to ensure that the main trunk of the tree passed through the horizon and the far shadows.

For exposure I wanted to make sure that the green and texture of the grass was visible so I took a base reading from the grass first (I just pointed the camera down and filled the viewfinder with the foreground).
This gave me my base exposure, which I set the camera to, and then I pointed the camera at the sky to see how many stops brighter it was. The meter indicated it was 5 stops brighter, so a 3 stop ND grad filter across the sky would bring the sky to within 2 stops of my base exposure…which is enough.

I used a cable release to ensure the camera remained still on the tripod while I tripped the exposure.

Post-processing

The image was shot RAW and imported into Aperture. I tweaked the contrast and vibrancy sliders, before moving it into PS. In PS I tweaked the mid-tone contrast using Unsharp mask (Threshold 0, Amount 20%, Pixels 60 – Thanks Juha [link]), and then resized the image using Bicupic smoother. Final sharpening was added, as well as a frame and title.

Metadata

Taken in Serra do Cercal, Alentejo, Portugal
Nikon D80 | Sigma 10-20 | Nikon cable release
Manfrotto 190XProB w/ 322RC2 ballhead
Lee 0.9 (3 stop) hard neutral density filter
1/2sec | f8 | 10mm
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Comments


Indeed, its almost impossible to retain detail on the tree in this type of light situations.
Beautiful sky, colors and composition Andy, cheers.

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wow wow... amazing

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This is beautiful! The colors are magnificient!

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When we remember we are all mad, the mysteries disappear and life stands explained.
- Mark Twain
Great work Andy. I love lone tree images they are a subject which I always look out for. This one is beautiful.
I can see some areas of what looks like - well I'm not sure really?? There are 3 or 4 patchy streaks running down from the tree line on the left of the shot - almost smudgy like a loss of contrast or something?? Do you know why/what? Maybe it's some kind of illusion?

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Jake Spain.

Light waits for no man. You're either out there, or you miss it. Forever.
Beautiful image Andy :D

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Beautiful Andy! No surprises there!
Thanks Ricky....I'm glad you like it :-)

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More work at andymumford.com

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